{"id":2784,"date":"2025-12-22T07:00:28","date_gmt":"2025-12-22T07:00:28","guid":{"rendered":"https:\/\/gene-tierney.art\/gene-tierneys-complete-filmography\/"},"modified":"2026-02-25T12:57:38","modified_gmt":"2026-02-25T12:57:38","slug":"complete-filmography","status":"publish","type":"page","link":"https:\/\/gene-tierney.art\/en\/complete-filmography\/","title":{"rendered":"Gene Tierney’s complete filmography"},"content":{"rendered":"\t\t
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RESOURCES<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Detailed filmography<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Muse to great directors and partner to the greatest actors of her era, Gene Tierney traversed genres (from film noir to melodrama, thriller to romance), leaving a lasting imprint on American cinema.<\/p>\n

Her filmography paints the portrait of a subtle actress, often associated with complex, ambiguous or tragic characters, whose interpretation culminates in works that have become emblematic. To explore Gene Tierney’s films is to plunge into a cinema of atmosphere, glances and silences, where formal elegance always serves a profoundly human emotion. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1940s (16)<\/sup><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1940<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Return of Frank James (Fritz Lang)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Direct sequel to Jesse James (1939). Frank James, brother of the famous outlaw, seeks to avenge his brother’s death at the hands of Robert Ford. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1941<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tHudson's Bay (Irving Pichel)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A fictionalized account of the founding of the Hudson’s Bay Company in Canada in the 17th century.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1941<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tTobacco Road (John Ford)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Adaptation of Erskine Caldwell’s scandalous novel, centered on a poor Georgian family.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1941<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tBelle Starr (Irving Cummings)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A fictionalized biopic of the famous Wild West outlaw, often referred to as the “Queen of Bandits”.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1941<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Shanghai Gesture (Josef von Sternberg)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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In Shanghai, a young woman from a good family falls into despair by frequenting a gambling house run by the mysterious Mother Gin Sling.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1941<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSundown (Henry Hathaway)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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During the Second World War, in a colonial Africa rife with conspiracies, secret agents try to foil Nazi spies.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1941<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSon of Fury: The Story of Benjamin Blake (John Cromwell)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The romantic story of an 18th-century young man (Tyrone Power) fighting for his rights and his fortune.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1943<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tHeaven Can Wait (Ernst Lubitsch)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Sophisticated comedy in which a man recounts his love life at the gates of Hell, to find out if he deserves damnation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1944<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tLaura (OTTO PREMINGER)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A policeman investigates the murder of a young woman, but falls in love with her portrait. When Laura reappears, the mystery deepens. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1944<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tA Bell for Adano (Henry King)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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During the Second World War, an American officer administers a small, liberated Italian town.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1945<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tLeave Her to Heaven (John M. Stahl)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A sickly jealous woman destroys everything around her to keep her husband to herself.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1946<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tDragonwyck (Joseph L. Mankiewicz)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A young farm girl marries an eerie Dutch aristocrat.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1946<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Razor's Edge (Edmund Goulding)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Adaptation of the novel by Somerset Maugham. A man seeks wisdom in post-war India, leaving behind his fianc\u00e9e. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1947<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Ghost and Mrs. Muir (Joseph L. Mankiewicz) <\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A widow moves into a haunted house and falls in love with the ghost of a sea captain.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1948<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThat Wonderful Urge (Robert B. Sinclair)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A romantic comedy in which a journalist uses his charm to trap a wealthy heiress, but ends up falling in love.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1949<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tWhirlpool (Otto Preminger)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A married woman is manipulated by a hypnotist who implicates her in a murder.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1950s (12)<\/sup><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1950<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tNight and the City (Jules Dassin)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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In London, a con man tries to make a name for himself in the wrestling promoter world, but his thirst for success leads to his downfall.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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1950<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tWhere the Sidewalk Ends (Otto Preminger)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
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A brutal policeman accidentally kills a suspect and tries to cover it up.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1951<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Mating Season (Mitchell Leisen)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

A comedy in which a beautiful heiress marries a modest young man, and has to deal with her intrusive mother-in-law.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1951<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tOn the Riviera (Walter Lang)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Danny Kaye plays the dual role of dancer and aviator. The plot revolves around misunderstandings and identity theft. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1952<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tWay of a Gaucho (Jacques Tourneur)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In Argentina, a gaucho in rebellion against society chooses the freedom of the plains.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1952<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPlymouth Adventure (Clarence Brown)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Superproduction retracing the voyage of the Mayflower and the founding of the Plymouth colony.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1953<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPlymouth Adventure (Clarence Brown)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

An American journalist tries to get his Russian wife out of the Stalinist USSR.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1954<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tBlack Widow (Nunnally Johnson)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In the New York art world, an ambitious young woman is found dead, and suspicion falls on those close to her.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1954<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Egyptian (Michael Curtiz)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Biblical epic about a physician in ancient Egypt.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1955<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Left Hand of God (Edward Dmytryk)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

A mysterious man, posing as a priest, takes refuge in a mission in China.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"The\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1956<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Proud Ones (Robert D. Webb)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
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An aging marshal faces new challenges in a small Wild West town.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t

1960s (3)<\/sup><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Advise\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1962<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAdvise & Consent (Otto Preminger)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Adaptation of Allen Drury’s political novel. Behind the scenes in the U.S. Senate, intrigues are woven around the appointment of a new Secretary of State, revealing secrets and manipulations. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Toys\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1963<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tToys in the Attic (George Roy Hill)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Adapted from the play by Lillian Hellman. Two sisters living in the American South find their daily lives turned upside down by the arrival of an unstable brother and his wife.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"The\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

1964<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Pleasure Seekers (Jean Negulesco)<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

A light-hearted musical in which three young American women move to Madrid to find love and success.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1960, the end of a career<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

These three films marked the end of her cinematic career: after The Pleasure Seekers, Gene Tierney chose to retire from the set for good, to live a peaceful life with her husband Howard Lee. She left the cinema in style, directed one last time by Preminger, Hellman and Negulesco, three great names of the seventh art. Her roles reflected her evolution from the femme fatale of the 1940s to a more mature figure, tinged with gravity and tenderness. The press hailed the dignity with which she retired from Hollywood, without scandal or decline, as a final act of elegance. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

“She knew how to slip away gracefully, as she had always lived her career.”
– Los Angeles Times, 1965<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

RESOURCES Detailed filmography Muse to great directors and partner to the greatest actors of her era, Gene Tierney traversed genres (from film noir to melodrama, thriller to romance), leaving a lasting imprint on American cinema. Her filmography paints the portrait of a subtle actress, often associated with complex, ambiguous or tragic characters, whose interpretation culminates in works that have become emblematic. To explore Gene Tierney’s films is to plunge into a cinema of atmosphere, glances and silences, where formal elegance always serves a profoundly human emotion. 1940s (16) 1940 The Return of Frank James (Fritz Lang) Direct sequel to Jesse James (1939). Frank James, brother of the famous outlaw, seeks to avenge his brother’s death at the hands of Robert Ford. 1941 Hudson’s Bay (Irving Pichel) A fictionalized account of the founding of the Hudson’s Bay Company in Canada in the 17th century. 1941 Tobacco Road (John Ford) Adaptation of Erskine Caldwell’s scandalous novel, centered on a poor Georgian family. 1941 Belle Starr (Irving Cummings) A fictionalized biopic of the famous Wild West outlaw, often referred to as the “Queen of Bandits”. 1941 The Shanghai Gesture (Josef von Sternberg) In Shanghai, a young woman from a good family falls into despair by frequenting a gambling house run by the mysterious Mother Gin Sling. 1941 Sundown (Henry Hathaway) During the Second World War, in a colonial Africa rife with conspiracies, secret agents try to foil Nazi spies. 1941 Son of Fury: The Story of Benjamin Blake (John Cromwell) The romantic story of an 18th-century young man (Tyrone Power) fighting for his rights and his fortune. 1943 Heaven Can Wait (Ernst Lubitsch) Sophisticated comedy in which a man recounts his love life at the gates of Hell, to find out if he deserves damnation. 1944 Laura (OTTO PREMINGER) A policeman investigates the murder of a young woman, but falls in love with her portrait. When Laura reappears, the mystery deepens. 1944 A Bell for Adano (Henry King) During the Second World War, an American officer administers a small, liberated Italian town. 1945 Leave Her to Heaven (John M. Stahl) A sickly jealous woman destroys everything around her to keep her husband to herself. 1946 Dragonwyck (Joseph L. Mankiewicz) A young farm girl marries an eerie Dutch aristocrat. 1946 The Razor’s Edge (Edmund Goulding) Adaptation of the novel by Somerset Maugham. A man seeks wisdom in post-war India, leaving behind his fianc\u00e9e. 1947 The Ghost and Mrs. Muir (Joseph L. Mankiewicz) A widow moves into a haunted house and falls in love with the ghost of a sea captain. 1948 That Wonderful Urge (Robert B. Sinclair) A romantic comedy in which a journalist uses his charm to trap a wealthy heiress, but ends up falling in love. 1949 Whirlpool (Otto Preminger) A married woman is manipulated by a hypnotist who implicates her in a murder. 1950s (12) 1950 Night and the City (Jules Dassin) In London, a con man tries to make a name for himself in the wrestling promoter world, but his thirst for success leads to his downfall. 1950 Where the Sidewalk Ends (Otto Preminger) A brutal policeman accidentally kills a suspect and tries to cover it up. 1951 The Mating Season (Mitchell Leisen) A comedy in which a beautiful heiress marries a modest young man, and has to deal with her intrusive mother-in-law. 1951 On the Riviera (Walter Lang) Danny Kaye plays the dual role of dancer and aviator. The plot revolves around misunderstandings and identity theft. 1952 Way of a Gaucho (Jacques Tourneur) In Argentina, a gaucho in rebellion against society chooses the freedom of the plains. 1952 Plymouth Adventure (Clarence Brown) Superproduction retracing the voyage of the Mayflower and the founding of the Plymouth colony. 1953 Plymouth Adventure (Clarence Brown) An American journalist tries to get his Russian wife out of the Stalinist USSR. 1954 Black Widow (Nunnally Johnson) In the New York art world, an ambitious young woman is found dead, and suspicion falls on those close to her. 1954 The Egyptian (Michael Curtiz) Biblical epic about a physician in ancient Egypt. 1955 The Left Hand of God (Edward Dmytryk) A mysterious man, posing as a priest, takes refuge in a mission in China. 1956 The Proud Ones (Robert D. Webb) An aging marshal faces new challenges in a small Wild West town. 1960s (3) 1962 Advise & Consent (Otto Preminger) Adaptation of Allen Drury’s political novel. Behind the scenes in the U.S. Senate, intrigues are woven around the appointment of a new Secretary of State, revealing secrets and manipulations. 1963 Toys in the Attic (George Roy Hill) Adapted from the play by Lillian Hellman. Two sisters living in the American South find their daily lives turned upside down by the arrival of an unstable brother and his wife. 1964 The Pleasure Seekers (Jean Negulesco) A light-hearted musical in which three young American women move to Madrid to find love and success. 1960, the end of a career These three films marked the end of her cinematic career: after The Pleasure Seekers, Gene Tierney chose to retire from the set for good, to live a peaceful life with her husband Howard Lee. She left the cinema in style, directed one last time by Preminger, Hellman and Negulesco, three great names of the seventh art. Her roles reflected her evolution from the femme fatale of the 1940s to a more mature figure, tinged with gravity and tenderness. The press hailed the dignity with which she retired from Hollywood, without scandal or decline, as a final act of elegance. “She knew how to slip away gracefully, as she had always lived her career.” – Los Angeles Times, 1965<\/p>\n","protected":false},"author":1,"featured_media":2110,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-2784","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/pages\/2784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/comments?post=2784"}],"version-history":[{"count":5,"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/pages\/2784\/revisions"}],"predecessor-version":[{"id":3574,"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/pages\/2784\/revisions\/3574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/media\/2110"}],"wp:attachment":[{"href":"https:\/\/gene-tierney.art\/en\/wp-json\/wp\/v2\/media?parent=2784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}